他人私生活的偷窥者、侵入者——「邻人之妻不可贪」.
作家逼迫主人公朝戏剧性走去，正如编剧塑造作家一样.
两重的创作者，在某种程度上如出一辙. 创作者该如何处理现实与故事的关系，如何介入生活？海明威裸体写作，我们也该如此吗？创作者对底层生活的戏弄，是对故事的尊重，还是对生活的背叛？不知是不是为「文学的压迫」「作家的傲慢」？电影取这么一个光辉伟岸的名字，实际却是全方位多角度深度丑化大陆人. 当然，客观来说，电影中这对父母这样好吃懒做还危害社会的人在哪里都是遭人唾弃的，并不是因为他们是乡下人所以愚昧. 那个年代的大陆和香港的真的差距悬殊，惠英红也还非常的年轻. 只是这个电影里的她简直快要毁掉她的光辉形象了. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
